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Carl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788

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Regalstandort	Literaturabteilung	Zweigstelle	Status
Mag 914+3	Wissenschaftliche Literatur	Handapparat Ch. Blanken	. Verfügbar .
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DM 422 S215 C2	Wissenschaftliche Literatur	Lesesaal	. Verfügbar .

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Kataloginformation
Feldname	Details
Verfasser	Sanders, Reginald L.
T I T E L	Carl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788
Verfasserangabe	by Reginald LeMonte Sanders
Verlagsort	Ann Arbor, MI
Verlag	UMI
Erscheinungsjahr	2001
Umfang	XIII, 323 S. : Notenbeisp.
Format	22 cm
Hochschulschrift	Zugl.: New Haven, Conn., Yale Univ., Diss., 2001
ISBN	ISBN 0-493-43837-8
ISBN	ISBN 978-0-493-43837-5
Klassifikation	DM 42224
Schlagwörter	Bach, Carl Philipp Emanuel
	Hamburg
	Kirchenmusik
	Musikleben
	Dissertation
Kurzbeschreibung	Carl Philipp Emanuel Bach served as Hamburg town music director and cantor at the city's Latin school, the Gelehrtenschule des Johanneums, from the spring of 1768 until his death in December of 1788. His liturgical responsibilities centered around performances of figural music on approximately 130 annual occasions. These performances were divided evenly among the five principal churches according to a procedure established in the 1657 Ordnung der Musik and occurred within the three most important weekend/feast services—the Saturday/feast eve vesper service and the Sunday/feast principal and vesper services. Assisting Bach at these performances was a standing professional ensemble whose origins, like those of the Ordnung der Musik, date from the middle of the 17th c. The eight town musicians formed the core of Bach's instrumental forces, which numbered 14 for performances on regular Sundays and feasts and approximately 19 for performances of the Quartalsmusiken on Easter, Pentecost, St. Michael's, and Christmas. Bach's vocal forces consisted of eight (sometimes a few more) male singers, including adolescent sopranos. Bach tended to compose his own music, or assemble pastiches that included his music, only to serve as the Quartalsmusiken. On regular Sundays and feasts he generally performed the music of other composers whose sacred pieces formed a part of his personal music collection. Bach was the last Hamburg cantor to follow the tradition of church music established in the mid-17th c. The church music reforms of 1789 established new procedures that drastically reduced the number of annual performances and began the disintegration of the standing ensemble.
1. Schlagwortkette	Hamburg
	Bach, Carl Philipp Emanuel
	Kirchenmusik
	Musikleben
	Geschichte 1768-1888
SWB-Titel-Idn	258020954
Notation	DM 42224
Schlagwort	Bach, Carl Philipp Emanuel
	Hamburg
	Kirchenmusik
	Musikleben
	Dissertation

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