| Verfasser |
Cameron, Jasmin Melissa |
| T I T E L |
The crucifixion in music |
| Zusatz zum Titel |
an analytical survey of settings of the crucifixus between 1680 and 1800 |
| Verfasserangabe |
Jasmin Melissa Cameron |
| Verlagsort |
Lanham, Md. [u.a.] |
| Verlag |
Scarecrow Press |
| Erscheinungsjahr |
2006 |
| Umfang |
XXIV, 371 S. : graph. Darst., Notenbeisp. |
| Reihe |
Contextual Bach studies ; No. 1 |
| Contextual Bach studies |
| Band |
1 |
| Anmerkung |
Includes bibliographical references and index |
| Inhalt |
pt. 1. The liturgy and its musical implications. The Crucifixus : an overview -- pt. 2. Investigative approaches. Music and rhetoric : representation of the text as conceived by theorists of the eighteenth century ; Modern analytical views relevant to the subject and their relationship to rhetoric -- pt. 3. Analysis. A musical overview ; Analytical results -- pt. 4. Case studies. Adaptation of preexisting music for a setting of the Crucifixus : J.S. Bach, Crucifixus from Mass in B Minor BWV 232 ; Organization of texture and text : Caldara, Crucifixus a 16 voci ; A semiotic analysis : Bertoni, Crucifixus con organo a 4 voci ; A rhetorical analysis : Zelenka, Crucifixus from Missa paschalis ZWV 7 ; Textual influence : Vivaldi, Crucifixus from Credo RV 591 ; Constraints of style : Lotti, Crucifixus settings for six and ten voices ; Orchestral practice and Crucifixus conventions : Mozart, Haydn, and beyond -- pt. 5. Summary. The Crucifixus tradition : patterns of influence and modes of transmission ; General overview -- Appendixes. A, Crucifixus settings ; B, Rhythmic variants for setting the word "Crucifixus" ; C, A comparison of Bach's setting of the Crucifixus from the Mass in B minor BWV 232 and the first part of the opening chorus from Weinen, Klagen, Sorgen, Zagen BWV 12 ; D, A. Caldara (8) : Crucifixus a 16 voci ; E, F. Bertoni (5) : Crucifixus con organo a 4 voci ; F, A. Vivaldi (95) : Crucifixus from Credo RV 591 ; G, A. Lotti (59) : Crucifixus a 6 ; H, A. Lotti (60) : Crucifixus a 10 ; I, W.A. Mozart (84) : Crucifixus from Krönungs-Messe KV 317 ; J, F.J. Haydn (39) : Crucifixus from Missa in tempore belli ; K. D. Cimarosa (16) : Messa a 4 con stromenti --Bibliography -- General index -- Musical index |
| Rezensionen |
147750527X Rezension: Tomita, Yo, 1961 - : Jasmin Melissa Cameron, The crucifixion in music, an analytical survey of settings of the crucifixus between 1680 and 1800 |
| 1477505644 Rezension: Tomita, Yo, 1961 - : Jasmin Melissa Cameron, The crucifixion in music, an analytical survey of settings of the crucifixus between 1680 and 1800 |
| ISBN |
ISBN 0-8108-5275-6 hardcover : alk. paper |
| ISBN 978-0-8108-5275-4 hardcover : alk. paper |
| ISBN 0-8108-5872-X |
| Schlagwörter |
Passionsmusik |
| Geschichte 1680-1800 |
| 1. Schlagwortkette |
Passionsmusik |
| Geschichte 1680-1800 |
| 2. Schlagwortkette |
Vertonung |
| Creeds |
| Kreuzigung Jesu |
| Geschichte 1680-1800 |
| 3. Schlagwortkette |
Credo-Vertonung |
| Kreuzigung Jesu |
| Geschichte 1680-1800 |
| SWB-Titel-Idn |
256931437 |
| Schlagwort |
Passionsmusik |
| vocal |
| Mus: bms |
| Geschichte 1680-1800 |
| Internetseite / Link |
http://www.gbv.de/dms/hbz/toc/ht014899469.pdf |
| Siehe auch |
http://www.loc.gov/catdir/toc/ecip066/2005037859.html |
| Siehe auch |
http://www.music.qub.ac.uk/tomita/bachbib/review/bb-review_CameronCfx.html |
