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Mozarts Kompositionsweise. Beobachtungen am Figaro-Autograph

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Regalstandort	Literaturabteilung	Bandzählg.	Zweigstelle	Status
SM 2015-157	Sammelmappen		Bibliotheksmagazin	. Verfügbar .

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Feldname	Details
Verfasser	Köhler, Karl-Heinz
T I T E L	Mozarts Kompositionsweise. Beobachtungen am Figaro-Autograph
Verfasserangabe	von Karl-Heinz Köhler
Erscheinungsjahr	1967
Quelle	In: Zentralinstitut für Mozartforschung: Mozart-Jahrbuch ... des Zentralinstitutes für Mozartforschung der Internationalen Stiftung Mozarteum Salzburg
	1967
	(1967), S. 31-45
Kurzbeschreibung	Eight different inks can be distinguished in the autograph of the first and second acts. Mozart wrote a rough draft and later filled in the complete harmonies and inner voices with other inks. After comparing the papers, rastral inks, writing inks, pagination, and other indications, the author concludes that the opera could not have been composed in a continuous progression, but that Mozart collected the texts that expressed similar emotions and wrote the music for each group before proceeding to others. (AN: 1968-471) (RILM)