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(2015), 2, S. 22-45. Taneyev's theories of moveable counterpoint and the music of J.S. Bach

Kataloginformation
Feldname	Details
Bandangaben	(2015), 2, S. 22-45
Verfasser	Collins, Denis ¬[VerfasserIn]¬
T I T E L	Taneyev's theories of moveable counterpoint and the music of J.S. Bach
Verfasserangabe	Denis Collins
Erscheinungsjahr	2015
Umfang	Notenbeispiele
Signatur	In: Z B118
Quelle	Enthalten in: Bach : the journal of the Riemenschneider Bach Institute, Baldwin-Wallace College
	2015
	46(2015), 2, S. 22-45
Klassifikation	FS 211
Klassifikation	MI 2
Schlagwörter	Taneyev, Sergei Ivanovich
	Bach, Johann Sebastian
	Kontrapunkt
Kurzbeschreibung	In his Podvižnoj kontrapunkt strogogo pis’ma (Movable counterpoint in the strict style), Sergej Ivanovič Taneev is primarily concerned with modal, or Renaissance repertoire. However, his application of his ideas to later repertoire includes five five examples drawn from Bach's Wohltemperierte Clavier, particularly how these examples elucidate practical solutions to specific challenges involving moveable counterpoint and also how they provided Taneyev with opportunities for developing his theories into further abstract possibilities. Four of these examples also demonstrate vertical-shifting counterpoint in three and four parts, while the fifth demonstrates horizontal-shifting counterpoint. Taneev provides only short extracts are quoted from any given work. Taneev's work may be seen as an important step towards addressing what may lie behind Bach’s choice of one permutation of invertible counterpoint over another. (AN: 2015-18258) (RILM)