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(1982), 33, S. 57-88. Composition as variation: inquiries into the compositional procedures of the Bach circle of composers

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Regalstandort	Literaturabteilung	Bandzählg.	Zweigstelle	Status
SM 2016-76	Sammelmappen		Bibliotheksmagazin	. Verfügbar .

Kataloginformation
Feldname	Details
Bandangaben	(1982), 33, S. 57-88
Verfasser	Schulenberg, David ¬[VerfasserIn]¬
T I T E L	Composition as variation: inquiries into the compositional procedures of the Bach circle of composers
Verfasserangabe	by David Schulenberg
Erscheinungsjahr	1982
Quelle	Enthalten in: Current musicology
	1982
	(1982), 33, S. 57-88
Klassifikation	FS 1
Kurzbeschreibung	English: The Handleitung zur Variation (Hamburg, 1706) of F.E. Niedt contains the earliest description of composition as the 'variation' of harmonies implied by a figured bass line. Marpurg, Kirnberger, and C.P.E. Bach described similar procedures, and J.S. and C.P.E. Bach illustrate it in various works. A trio-sonata attributed to J.S. Bach (BWV 1038) is probably a student's exercise employing the procedure, and may pre-date Bach's violin sonata on the same bass line (BWV 1021). The distinctive melodic style of C.P.E. Bach stems partly from reliance on the technique.