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41(2019), 2, S. 135-142. ¬The¬ kyrie of Bach's B Minor Mass: music for the 1733 Leipzig Erbhuldigung?

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Regalstandort Literaturabteilung Bandzählg. Zweigstelle Status
A 881
 Aufsätze/Rezensionen   Bibliotheksmagazin . Verfügbar .
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Feldname Details
Bandangaben 41(2019), 2, S. 135-142
Verfasser Maul, Michael ¬[VerfasserIn]¬
Beteiligte Person(en) Haring, Susanne ¬[ÜbersetzerIn]¬
T I T E L ¬The¬ kyrie of Bach's B Minor Mass
Zusatz zum Titel music for the 1733 Leipzig Erbhuldigung?
Verfasserangabe Michael Maul, Bach-Archiv Leipzig, Germany ; translated by Susanne Haring
Ausgabe Kopie
Erscheinungsjahr 2019
Quelle Enthalten in: Musicology Australia : journal of the Musicological Society of Australia
2019
41(2019), 2, S. 135-142
Klassifikation FK 41
Schlagwörter BWV 232
h-Moll-Messe
Vokalwerke
Werkanalyse
Kurzbeschreibung The origins of Johann Sebastian Bach’s B minor Mass have long been a matter of great interest in Bach research. The questions surrounding the work concern not only its final form of 1749 but also its early history, especially the genesis of the Kyrie-Gloria Missa (BWV 232I), for which a set of parts was delivered to the Dresden court in July 1733. Different scenarios for a possible performance of this piece have been proposed: Christoph Wolff has suggested that a liturgical performance took place on the Eighth Sunday after Trinity, in connection with Bach’s trip to Dresden, while Arnold Schering speculated that it may have been performed as part of the Leipzig Erbhuldigung (hereditary homage) celebrations for the new Saxon elector in April 1733. This latter scenario was not endorsed by later scholarship, on the grounds that Saxony was still in State Mourning at the time and so performances of music were generally prohibited. The present article, however, revisits Schering’s argument, drawing upon new source material for the Erbhuldigung of 1733 to consider once more the possibility of a Leipzig performance. (author)
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