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(2014), 2, S. 68-93. ¬The¬ kyries of J. S. Bach's B-Minor Mass and Gottlob Harrer's D-Major Mass (HarWV 32) between late Baroque and the 'Style galant' [Aufsatz] Bach
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(2015), 1, S. 2-28. "Recht glauben, christlig leben, seelig sterben" Johann Olearius and the libretto of cantata 67 [Aufsatz] Bach
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(2015), 1, S. 29-48. Viewing the poetic texts in Bach's Matthew Passion from a new perspective [Aufsatz] Bach
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(2015), 1, S. 49-73. ¬A¬ Weimar commemorative album and Bach's canon BWV 1073 [Aufsatz] Bach
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(2015), 1, S. 74-110. "Durch die Music gleichsam lebendig vorgestellet" Graupner, Bach, and 'Mein Herz schwimmt im Blut' [Aufsatz] Bach
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(2015), 2, S. 1-6. ¬The¬ historical context of Martin Petzoldt's paper on Bach's cantorate in Leipzig [Aufsatz] Bach
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(2015), 2, S. 7-21. Bach as cantor of St. Thomas in Leipzig, 1723-1750 [Aufsatz] Bach
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(2015), 2, S. 22-45. Taneyev's theories of moveable counterpoint and the music of J.S. Bach [Aufsatz] Bach
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(2015), 2, S. 46-58. What did Johann Ludwig Krebs learn about arias from his teacher, Johann Sebastian Bach? [Aufsatz] Bach
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(2015), 2, S. 59-77. ¬The¬ first Bach Festival at Baldwin Wallace [Aufsatz] Bach
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(2016), 1, S. 1-20. ¬The¬ godfather: Georg Philipp Telemann, Carl Philipp Emanuel Bach and the family business [Aufsatz] Bach
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(2016), 1, S. 21-65. Ancient poetry, modern music and the Wechselgesang der Mirjam und Debora: the meanings of song in the Itzig circle [Aufsatz] Bach
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(2016), 2, S. 1-26. A divided country - a divided Bach: the Cantor-Kapellmeister controversy and the cold war [Aufsatz] Bach
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(2016), 2, S. 27-46. Observations on the Autograph of the B-Minor Mass [Aufsatz] Bach
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(2016), 2, S. 47-76. Early Bach publications in United States tune books and hymnals [Aufsatz] Bach
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(2016), 2, S. 77-94. The secret subscribers to C.P.E. Bach's oratorio "Die Israeliten in der Wüste" the Masonic connection [Aufsatz] Bach
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48(2017), 1, S. 1-35. Popular music in the time of J. S. Bach: the Leipzig Mandora manuscript [Aufsatz] Bach
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48(2017), 1, S. 36-75. "Bekennen will ich seinen Namen": authenticity, purpose and context for the aria BWV 200: observations on Johann Sebastian Bach's reception of works by Gottfried Heinrich Stölzel [Aufsatz] Bach
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48(2017), 1, S. 76-92. Reading Bach's notation: a guide to the temporal structure of the 1733 missa [Aufsatz] Bach
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48(2017), 1, S. 93-114. Bach cantatas: in print and recordings [Aufsatz] Bach
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