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- 54(2023), 2, S. 171-211. New perspectives on J.S. Bach's St. Matthew Passion: the choreographic vision of John Neumeier Riggs, Robert A 1267 1 -
Titel: 54(2023), 2, S. 171-211. New perspectives on J.S. Bach's St. Matthew Passion: the choreographic vision of John Neumeier
Verfasser: Riggs, Robert
Jahr: 2023
- 54(2023), 1, S. 106-128. Two new possible models for the "Confiteor" of J.S. Bach's Mass in B Minor Göncz, Zoltán A 1273 2 -
Titel: 54(2023), 1, S. 106-128. Two new possible models for the "Confiteor" of J.S. Bach's Mass in B Minor
Verfasser: Göncz, Zoltán
Jahr: 2023
- 54(2023), 1, S. 76-105. Tales from music school: Johann Friedrich Fasch at the Thomasschule (1701-1707) Reul, Barbara M. A 1274 3 -
Titel: 54(2023), 1, S. 76-105. Tales from music school: Johann Friedrich Fasch at the Thomasschule (1701-1707)
Verfasser: Reul, Barbara M.
Jahr: 2023
- 54(2023), 1, S. 17-75. Baroque pop and psychedelia: Bachian pastness, prestige, and hybridity Cressy, Thomas A. A 1275 4 -
Titel: 54(2023), 1, S. 17-75. Baroque pop and psychedelia: Bachian pastness, prestige, and hybridity
Verfasser: Cressy, Thomas A.
Jahr: 2023
- 54(2023), 1, S. 1-16. Late Bach and late style theory Marshall, Robert L. A 1277 5 -
Titel: 54(2023), 1, S. 1-16. Late Bach and late style theory
Verfasser: Marshall, Robert L.
Jahr: 2023
- 53(2022), 2, S. 301-326. Reconsidering tonal procedures in J.S. Bach's first year in Leipzig: some implications from the wind-player's perspective Burgess, Geoffrey A 1286 6 -
Titel: 53(2022), 2, S. 301-326. Reconsidering tonal procedures in J.S. Bach's first year in Leipzig: some implications from the wind-player's perspective
Verfasser: Burgess, Geoffrey
Jahr: 2022
- 53(2022), 2, S. 156-193. The notes tell us how to tune Lehman, Bradley A 1287 7 -
Titel: 53(2022), 2, S. 156-193. The notes tell us how to tune
Verfasser: Lehman, Bradley
Jahr: 2022
- 53(2022), 1, S. 1-44. Some observations on the sources for Bach's violin soli and cello suites Talle, Andrew A 1288 8 -
Titel: 53(2022), 1, S. 1-44. Some observations on the sources for Bach's violin soli and cello suites
Verfasser: Talle, Andrew
Jahr: 2022
- 54(2023), 2, S. 273-303. "Just to be, and dance": Jerome Robbins, J.S. Bach, and late style Knyt, Erinn E. A 1289 9 -
Titel: 54(2023), 2, S. 273-303. "Just to be, and dance": Jerome Robbins, J.S. Bach, and late style
Verfasser: Knyt, Erinn E.
Jahr: 2023
- 54(2022), 1, S. 102-109. "The marchesi legacy: Selma Riemenschneider and vocal pedagogy Helman, Olivia A 1290 10 -
Titel: 54(2022), 1, S. 102-109. "The marchesi legacy: Selma Riemenschneider and vocal pedagogy
Verfasser: Helman, Olivia
Jahr: 2022
- 54(2022), 1, S. 110-115. Selma Riemenschneider's performance career Mascia, Madeline A 1291 11 -
Titel: 54(2022), 1, S. 110-115. Selma Riemenschneider's performance career
Verfasser: Mascia, Madeline
Jahr: 2022
- 54(2022), 1, S. 125-129. Selma Riemenschneider's lasting impact Burr, Anna-Sophia A 1292 12 -
Titel: 54(2022), 1, S. 125-129. Selma Riemenschneider's lasting impact
Verfasser: Burr, Anna-Sophia
Jahr: 2022
- 53(2022), 1, S. 116-124. Selma Riemenschneider and the Berea Women's Commitee Webster, Ben A 1293 13 -
Titel: 53(2022), 1, S. 116-124. Selma Riemenschneider and the Berea Women's Commitee
Verfasser: Webster, Ben
Jahr: 2022
- 53(2022), 2, S. 260-300. J.S. Bach, the Viola de Gamba, and temperament in the early eighteenth century Ludwig, Loren A 1294 14 -
Titel: 53(2022), 2, S. 260-300. J.S. Bach, the Viola de Gamba, and temperament in the early eighteenth century
Verfasser: Ludwig, Loren
Jahr: 2022
- 53(2022), 2, S. 224-259. Stay tuned: temperament for solo lute 1600-1750 Dolata, David A 1295 15 -
Titel: 53(2022), 2, S. 224-259. Stay tuned: temperament for solo lute 1600-1750
Verfasser: Dolata, David
Jahr: 2022
- 53(2022), 2, S. 194-223. The harpsichord meets the first fret (and other tuning practicalities) Salzedo, Jonathan A 1296 16 -
Titel: 53(2022), 2, S. 194-223. The harpsichord meets the first fret (and other tuning practicalities)
Verfasser: Salzedo, Jonathan
Jahr: 2022
- 53(2022), 1, S. 70-95. The Verschneider piano at the Riemenschneider Bach Institute Libin, Laurence A 1297 17 -
Titel: 53(2022), 1, S. 70-95. The Verschneider piano at the Riemenschneider Bach Institute
Verfasser: Libin, Laurence
Jahr: 2022
- 54(2023), 2, S. 237-272. Movement in Italian dramatizations of J.S. Bach's passions: from the church to the theater and back Borghesi, Maria A 1298 18 -
Titel: 54(2023), 2, S. 237-272. Movement in Italian dramatizations of J.S. Bach's passions: from the church to the theater and back
Verfasser: Borghesi, Maria
Jahr: 2023
- 53(2022), 1, S. 45-69. What does the author mean? the example of Clavier-Übung III Górny, Tomasz A 1299 19 -
Titel: 53(2022), 1, S. 45-69. What does the author mean? the example of Clavier-Übung III
Verfasser: Górny, Tomasz
Jahr: 2022
- 53(2022), 1, S. 1-44. Some observations on the sources for Bach's Violin Soli and Cello Suites Talle, Andrew A 1300 20 -
Titel: 53(2022), 1, S. 1-44. Some observations on the sources for Bach's Violin Soli and Cello Suites
Verfasser: Talle, Andrew
Jahr: 2022


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