1 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 248-255. Echtheit angezweifelt: style and authenticity in two suites attributed to Bach [Aufsatz] Early music
|
Hill, Robert
|
1985 |
40434
|
Regalstandort: In: Z E12.
|
2 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
Early music [Zeitschriften]
|
|
|
34820
|
Regalstandort: Z E12.
Anzahl Exemplare: 1.
|
3 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
5(1977), S. 310-324. ¬The¬dotted note and the so-called French style [Aufsatz] Early music
|
Neumann, Frederick
|
1977 |
65103
|
Regalstandort: SM 2015-144.
Anzahl Exemplare: 1.
|
4 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
5(1977), S. 517-543. Dotting, the 'French style' and Frederick Neumann's Counter-Reformation [Aufsatz] Early music
|
Fuller, David
|
1977 |
65100
|
Regalstandort: SM 2015-141.
Anzahl Exemplare: 1.
|
5 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
7(1979), S. 39-43,45. Once more: the 'French overture style' [Aufsatz] Early music
|
Neumann, Frederick
|
1979 |
65101
|
Regalstandort: SM 2015-142.
Anzahl Exemplare: 1.
|
6 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
7(1979), S. 190-196,336-345. ¬The¬French style and the overtures of Bach [Aufsatz] Early music
|
O'Donnell, John
|
1979 |
65102
|
Regalstandort: SM 2015-143.
Anzahl Exemplare: 1.
|
7 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1979), S. 236-249. Bach's keyboard temperament: internal evidence from the Well-Tempered Clavier [Aufsatz] Early music
|
Barnes, John
|
1979 |
35797
|
Regalstandort: L-SM 13/33.
Anzahl Exemplare: 1.
|
8 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
10(1982), S. 216-217. ¬The¬D minor Toccata BWV 565. [Observations] [Aufsatz] Early music
|
Humphreys, David
|
1982 |
64685
|
Regalstandort: A 310.
Anzahl Exemplare: 1.
|
9 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1982), S. 477-486. ¬The¬ most beautiful among the claviers: Rudolf Richter's reconstruction of a Baroque lute-harpsichord [Aufsatz] Early music
|
Henning, Uta
|
1982 |
35904
|
Regalstandort: L-SM 15/11b.
Anzahl Exemplare: 1.
|
10 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1984), S. 345-354. Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: a seventh Brandenburg Concerto? [Aufsatz] Early music
|
Williams, Peter F.
|
1984 |
64925
|
Regalstandort: A 364.
Anzahl Exemplare: 1.
|
11 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 165-175. Bach's Leipzig Chamber Music [Aufsatz] Early music
|
Wolff, Christoph
|
1985 |
42900
|
Regalstandort: In: Z E12.
|
12 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 176-179. Bach's Orchestre [Aufsatz] Early music
|
Marshall, Robert L.
|
1985 |
41270
|
Regalstandort: In: Z E12.
|
13 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 180-184. ¬The¬ French influence in Bach's instrumental music [Aufsatz] Early music
|
Schulze, Hans-Joachim
|
1985 |
42341
|
Regalstandort: In: Z E12.
|
14 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 185-198. Bach as reviser of his own Keyboard works [Aufsatz] Early music
|
Stauffer, George
|
1985 |
42439
|
Regalstandort: In: Z E12.
|
15 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), S. 199-211. J. P. Kellner's copy of Bach's sonatas and partitas for violin solo [Aufsatz] Early music
|
Stinson, Russell
|
1985 |
4065
|
Regalstandort: In: Z E12.
Anzahl Exemplare: 1.
|
16 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 227-236. Bach and hymnody: the evidence of the Orgelbüchlein [Aufsatz] Early music
|
Leaver, Robin A.
|
1985 |
41028
|
Regalstandort: In: Z E12.
|
17 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 237-247. ¬The¬ metaphorical soloist: concerted organ parts in Bach's cantatas [Aufsatz] Early music
|
Dreyfus, Laurence [MusikalischeR LeiterIn]
|
1985 |
39417
|
Regalstandort: In: Z E12.
|
18 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 256-259. Bach's music in France: a new source [Aufsatz] Early music
|
Cyr, Mary
|
1985 |
39340
|
Regalstandort: In: Z E12.
|
19 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), 2, S. 267-271. Salerooms: Manuscripts and printed books [Aufsatz] Early music
|
Montagu, Jeremy
|
1985 |
41416
|
Regalstandort: In: Z E12.
|
20 |
![](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7) |
(1985), S. 384-390. ¬A¬ Trio in C major for recorder, violin and continuo by J. S. Bach? [Aufsatz] Early music
|
Marissen, Michael
|
1985 |
553
|
Regalstandort: H-SM 16/2.
Anzahl Exemplare: 1.
|